Overcast Blue / 365 Days Over Chicago
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Utopian Tomorrow, 2016, Goethe Institut, Barcelona Spain, curated by Herman Bashiron Mendolicchio
350+ Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Utopian Tomorrow, 2016, Goethe Institut, Barcelona Spain, curated by Herman Bashiron Mendolicchio
350+ Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Utopian Tomorrow, 2016, Goethe Institut, Barcelona Spain, curated by Herman Bashiron Mendolicchio
350+ Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Utopian Tomorrow, 2016, Goethe Institut, Barcelona Spain, curated by Herman Bashiron Mendolicchio
350+ Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Beyond The Instant, 2019, Royal Academy of American Art, Brooklyn, New York, curated by Ilona Golovina
350+ Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Beyond The Instant, 2019, Royal Academy of American Art, Brooklyn, New York, curated by Ilona Golovina
350+ Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Beyond The Instant, 2019, Royal Academy of American Art, Brooklyn, New York, curated by Ilona Golovina
350+ Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Unique Polaroid prints
Overcast blue (365 skies over Chicago) / (2004/2016/2019)
Unique Polaroid prints
Wanting to shed some light that the sun rarely shines over Chicago, Overcast Blue became a playful game in forensics. The only parameter set was to take one Polaroid from my Hyde Park, back alley porch as I left the apartment for the day. I photographed every day for one year beginning on my birthday (April 2nd) and ending the following year. Missing photographs are evidence of my absence that day or theft from exhibitions. Each iteration is determined by the space.